1909.13. Culture: Greek, Attic Medium: Terracotta; black-figure Dimensions: H. 24 1/2 in. 500 B.C. Made out of terracotta, the amphora has a height of 24.5 inches (62.2 cm). Panathenaic amphorae were the amphorae, large ceramic vessels, that contained the olive oil given as prizes in the Panathenaic Games.Some were ten imperial gallons (12 US gal; 45 L) and 60-70 cm (24-28 in) high. Medium: Terracotta Dimensions: 89.5 cm (35 1/4 in.) Beazley, John, Attic Black-Figure Vase-Painters (Oxford: Oxford University Press, 1956), 307.60 Beazley, John, Paralipomena: Additions to Attic Black-figure Vase-painters and to Attic Red-figure Vase-painters, 2nd (Oxford: Clarendon Press, 1971), para.133 Boardman, John, Corpus Vasorum Antiquorum, Great Britain 14, Oxford 3 (Oxford: Oxford University Press, 1975), pp 14-15, nos 1-3 on pl. She. Attic clay. Belly of horse with foot of rider. 1-2. Location Created: Athens, Greece Physical Dimensions:. Medium: Terracotta Dimensions: 65 × 40.3 cm (25 9/16 × 15 7/8 in.) The victors were awarded huge prize amphorae containing one metrates (over ten gallons) of oil from . Incision for details. Athena in fighting pose, amphora in Panathenaic shape, Greek-Attic, c. 540 BC, black-figure terracotta - Blanton Museum of Art - Austin, Texas - DSC07663.jpg Details. Panathenaic amphora, prize/trophy, Attic, Attica, Kamiros | The British Museum Images. . . The image of Athena in the center is that of Athena Polias, the goddess of the Akropolis who invariably occupies the obverse of . Details. 560-550 B.C. MetPublications is a portal to the Met's comprehensive publishing program featuring over five decades of Met books, Journals, Bulletins, and online publications on art history available to read, download and/or search for free. To Enlarge: Right-click on the image and select "open image in new tab". On view at The Met Fifth Avenue in Gallery 153. Unformatted text preview: Art and Revolution: Archaic Athens - Black Figure Vase Painting and Myth Solon (archon, 594 BC): Hurwit 218-19; encouraged industry, immigration Nessos Painter: wrote "Nes(s)os", in non-Attic Greek (Hurwit 176-179) Corrected it to "Netos" (Attic spelling) Migrant artist: non-Athenian, settled in Athens to practice his trade as craftsman Presumably in 6th c . Widespread throughout Attica, they are also found in the parts of the ancient world where . Obverse, Athena at altar, flautist, and woman Reverse, seated man between 2 men and 2 women This vase is of considerable importance, for although it is not an official prize amphora, the decoration on the obverse refers to numerous aspects of the Panathenaic festival. Another special type was the Panathenaic amphora which was a large vessel of around 36 . The medium used in the artwork is Terracotta. Some were ten imperial gallons (12 US gal; 45 L) and 60-70 cm (24-28 in) high. She brandishes her spear with her right hand, and carries a shield (bull blazon) on her left. Widespread throughout Attica, they are also found in the parts of the ancient world where Greek influence was most keenly felt, as in Etruria. Amphora was also the term for a unit of measure. External Link: Find out more about this object on the Museum website. Culture: Greek, Attic Medium: Terracotta; black-figure Dimensions: H. 7 3/8 in. (18.7 cm) diameter of mouth 6 11/16 in. Location Created: Athens, Greece Physical Dimensions: 78.5 x 39.2 cm (30 7/8 x 15. Fragment with the helmeted head of a female, possibly Athena, looking to the left. Panathenaic Prize Amphora with Lid Artist/Maker: Attributed to the Painter of the Wedding Procession (Greek (Attic), active about 362 B.C.) Black-Figure Amphora Uses same medium. The Greater Panathenaic Games were athletic, equestrian, musical, artistic, and civic/military competitions held in the city of Athens every four years. Front foot of second horse at left. Attic Panathenaic Amphora Fragment Unknown about 400 B.C. Attic Panathenaic Amphora Fragment (part of 81.AE.203.6.2) Euphiletos Painter 530-510 B.C. AN ATTIC BLACK-FIGURED PANATHENAIC AMPHORA NEAR THE KLEOPHRADES PAINTER, CIRCA 490 B.C. Title: Terracotta Panathenaic prize amphora Attributed to the Kleophrades Painter Period: Archaic Date: ca. The artwork is currently found in city of Athens which located in Greece. Anforagrega-atenas.jpg 409 × 662; 247 KB. ; Attributed as akin to the Kuban Group (Greek (Attic)); Terracotta; 4.6 cm (1 13/16 in. Attic Black-Figure Panathenaic Amphora Fragment (Getty Museum); 400 B.C. Date: 340 - 339 B.C. The most important festival celebrated in ancient Athens was the Panathenaia, which honored the city's patron deity, Athena Polias. Attic Black-figure Amphora ca. Title: Attic Panathenaic Amphora Artist/Maker: Attributed to Kleophrades Painter (Greek (Attic), active 505 - 475 B.C.) ), Signed by Nikodemos (Greek (Attic), Panathenaic Prize Amphora with Lid (The J. Paul Getty Museum Collection) Panathenaic amphoræ were used to contain the oil extracted from sacred olive trees, which was then given to the winners of the Panathenaic games, instituted in Athens under Pisistratus around 566 B.C. Euboean Black-Figure Neck Amphora From same collection. The amphora is a fine example of the vessels presented to the winner of an event in the athletic games held every four years in Athens. Place: Athens, Greece (Place Created) Culture: Greek (Attic) Object Number: 77.AE.9 Inscription (s): Typically filled with olive oil, this type of trophy was awarded to chariot race winners at the Panathenaic Games in Athens. 24, 2nd ed.. p. 107 [p. 84 n. 23], pl. The J. Paul Getty Museum Los Angeles, United States Fragment with the helmeted head of a female, possibly Athena, looking to the left. Location Created: Athens, Greece. The artwork "Attic Panathenaic Amphora" is associated with the artist maker, Kleophrades Painter. On one side Athena, the patron goddess, is shown as protector, wearing an archaic form of helmet and carrying a shield and spear. The Panathenaic Games, held in Athens every four years in honor of Athena, featured athletic and musical competitions. Physical Dimensions: 78.5 x 39.2 cm (30 7/8 x 15 7/16 in.) Panathenaic Prize Amphora with Lid (Getty Museum); 363-362 B.C. Medium: Terracotta. CIRCA 500 B.C. Culture: Greek, Attic Medium: Terracotta; black-figure Dimensions: H: 25 in. Winners of many of these events received Panathenaic prize amphorae. 86-87 n. 38], pl. 2. Description The amphora was made by the Euphiletos Painter in 530 BC near the end of the Archaic Period of Greece. Place: Athens, Greece (Place Created) Culture: Greek (Attic) Object Number: 79.AE.147 Inscription (s): 96, 3, Berkeley: . Artwork Details Title: Terracotta Panathenaic prize amphora (jar) Signed by Nikias as potter Attributed to Sikelos as painter Period: Archaic Date: ca. Details Title: Panathenaic Prize Amphora with Lid (Side A) Creator: Painter of the Wedding Procession, Nikodemos Date Created: 363-362 B.C. "Nikias Made Me": An Early Panathenaic Prize Amphora in the Metropolitan Museum of Art." Metropolitan Museum Journal, 34: pp. The obverse with Panathenaic Athena striding to the left, wearing a peplos, her snaky aegis, and a high-crested helmet, a spear in her raised right hand, a circular shield in her left, a Pegasos protome as the blazon, its wing sickle shaped, the goddess framed by two Doric columns each surmounted by a cock; the reverse with a bearded . Panathenaic Amphora | Detroit Institute of Arts Museum. Title: Terracotta neck-amphora of Panathenaic shape (jar) Attributed to the Princeton Painter Period: Archaic Date: ca. 37-38, 43-44, figs. Composed of fourteen joined sherds, this fragment gives the upper body of Athena striding to the left. The victors were awarded huge prize amphorae containing one metrates (over ten gallons) of oil from . Attributed to the Kleophrades Painter. Incision does not respect black glaze. Culture: Greek, Attic Medium: Terracotta; black-figure Dimensions: H. 24 5/16 in. The amphora was made by the Euphiletos Painter in 530 BC near the end of the Archaic Period of . The artwork "Attic Panathenaic Amphora" is associated with the artist maker, Kleophrades Painter. Lot Essay. The descriptions below are based on ongoing work by . Description. Kaminski, G. 2003. The J. Paul Getty Museum Los Angeles, United States. AN ATTIC BLACK-FIGURE PANATHENAIC AMPHORA. Wash on exterior surface. It is, however, possible that these vessels were also sold as souvenirs or distributed by means other than direct award. This oil came from the sacred grove of Athena at Akademia.The amphorae which held it had the distinctive form of tight handles, narrow neck and feet, and they were decorated with . 500 B.C. View and buy royalty free and rights managed stock photos at The British Museum Images. They are presented here as documentation, not as a reflection of Getty's values. Medium: Terracotta Dimensions: 4.6 cm (1 13/16 in.) 24, 2nd ed.. p. 108 [pp. 27 Panathenaic amphorae were the amphorae, large ceramic vessels, that contained the olive oil given as prizes in the Panathenaic Games.Some were ten imperial gallons (12 US gal; 45 L) and 60-70 cm (24-28 in) high. Title: Terracotta Panathenaic prize amphora Attributed to the Euphiletos Painter Period: Archaic Date: ca. It was painted by the Euphiletos Painter as a victory prize for the Panathenaic Games in Athens in 530 BC. The medium used in the artwork is Terracotta. Title: Panathenaic Prize Amphora with Lid (Side A) Creator: Painter of the Wedding Procession, Nikodemos; Date Created: 363-362 B.C. Medium: Terracotta Dimensions: 78.5 × 39.2 cm (30 7/8 × 15 7/16 in.) 1916. Bentz 1998 is an extensive discussion of the type. Place: Athens, Greece (Place Created) Culture: Greek (Attic) Object Number: AN ATTIC BLACK-FIGURE PANATHENAIC AMPHORA Details AN ATTIC BLACK-FIGURE PANATHENAIC AMPHORA CIRCA 500 B.C. Panathenaic amphoræ were used to contain the oil extracted from sacred olive trees, which was then given to the winners of the Panathenaic games, instituted in Athens under Pisistratus around 566 B.C. An amphora, such as the one at left, is a two-handled storage jar that held oil, wine, milk, or grain. ; Attributed to the Painter of the Wedding Procession (Greek (Attic), active about 362 B.C. Much of the added white used for her flesh is still preserved. Date: 363-362 B.C. (17 cm) Classification: Vases Credit Line: Rogers Fund, 1953 Accession Number: 53.11.1 References The obverse with the characteristic image of Athena, the goddess of war striding forth between Doric columns, each surmounted by a cock, wearing a high-crested helmet and her snake-fringed aegis over a chiton patterned with red dots, carrying a spear and shield with the winged horse Pegasos as the blazon . Creator: Attributed to the Marsyas Painter. Signed by Nikodemos (Greek (Attic), active about 362 B.C.) 550-540 B.C. The Euphiletos Painter Panathenaic Amphora is a black-figure terracotta amphora from the Archaic Period depicting a running race, now in the Metropolitan Museum of Art in New York. Panathenaic amphoras were produced in Athens as prizes for the victors in the games held in that city every four years. Lot Essay. Date: 500-480 B.C. Every fourth year was the Great Panathenaic festival, which included musical and athletic competitions. Title: Attic Black-Figure Panathenaic Amphora Fragment Artist/Maker: Attributed as akin to the Kuban Group (Greek (Attic)) Date: 400 B.C. Full Artwork Details Title: Attic Panathenaic Amphora with Lid Artist/Maker: Attributed to the Marsyas Painter (Greek (Attic), active 370 - 330 B.C.) Athena on a Panathenic amphora ( National Archaeological Museum of Athens) Panathenaic amphorae were the amphorae, large ceramic vessels, that contained the olive oil given as prizes in the Panathenaic Games. AN ATTIC BLACK-FIGURED PANATHENAIC AMPHORA NEAR THE KLEOPHRADES PAINTER, CIRCA 490 B.C. Added white band around horse's mid-section. Details. Single fragment, surface chipped. Terracotta Panathenaic prize amphora ca. This oil came from the sacred grove of Athena at Akademia.The amphorae which held it had the distinctive form of tight handles, narrow neck and feet, and they were decorated with . (62.2 cm) Classification: Vases Credit Line: Rogers Fund, 1914 Accession Number: 14.130.12 Provenance From Vulci, Italy Side B: a trainer watches two boxers in competition, wearing . Obverse, Athena Reverse, pankration (athletic . Source: Wikimedia Commons. During the Greater Panathenaic Games, athletes from across Greece competed in a variety of athletic and equestrian competitions. This oil came from the sacred grove of Athena at Akademia. The artwork was created by Kleophrades Painter in Athens between 500-480 BC. The obverse with the characteristic image of Athena, the goddess of war striding forth between Doric columns, each surmounted by a cock, wearing a high-crested helmet and her snake-fringed aegis over a chiton patterned with red dots, carrying a spear and shield with the winged horse Pegasos as the blazon . Title: Attic Panathenaic Amphora Fragment; Creator: Euphiletos Painter; Date Created: 530-510 B.C. Attic Panathenaic Amphora Fragment Unknown about 400 B.C. The J. Paul Getty Museum Los Angeles, United States. Details Title: Attic Panathenaic Amphora with Lid Creator: Attributed to the Marsyas Painter Date: 340 - 339 B.C. The obverse with Panathenaic Athena striding to the left, wearing a peplos, her snaky aegis, and a high-crested helmet, a spear in her raised right hand, a circular shield in her left, a Pegasos protome as the blazon, its wing sickle shaped, the goddess framed by two Doric columns each surmounted by a cock; the reverse with a bearded . Panathenaic Attic Amphora of the Michigan Painter. Title: Attic Panathenaic Amphora with Lid. It was discovered in Attica. (6.5 cm) Classification: Vases W. .0995. z08.0422:2. AN ATTIC BLACK-FIGURED PANATHENAIC AMPHORA CIRCA 500 B.C. The artwork was created by Kleophrades Painter in Athens between 500-480 BC. Attic Panathenaic Amphora (4th century BC) L. .065. Location Created: Athens, Greece; Physical Dimensions: 3.3 × 4.3 cm (1 5/16 × 1 11/16 in.) Side A: Panathenaic Athena wearing high-crested helmet, aegis and chiton, armed with spear and shield with device of the forepart of a winged horse, flanked by two slender Doric columns, each surmounted by a cockerel Side A: Panathenaic Athena wearing high-crested helmet, aegis and chiton, armed with spear and shield with device of the forepart of a winged horse, flanked by two slender Doric columns, each surmounted by a cockerel. 490-480 BCE by the Kleophrades Painter depicting the 4-horse chariot racing competition. 530 B.C. "Aspekte weiblicher Nacktheit und Entblossung in ihrer . Every fourth year was the Great Panathenaic festival, which included musical and athletic competitions. A tongue and dart band runs just . This special amphora, filled with valuable olive oil, was given by the city to the winners. The Development of Attic Black Figure, Vol. Date: 340-339 B.C. The Development of Attic Black Figure, Vol. Cataloging is a continuous work in progress, however, and we welcome your input to enhance our understanding and presentation of the collection. Place: Athens, Greece (Place Created) Culture: Greek (Attic) Object Number: 75.AE.73 Classification: Vessel Object Type: Amphora Technical Metadata and APIs AN ATTIC BLACK-FIGURED PANATHENAIC AMPHORA CIRCA 500 B.C. She wears an Attic helmet and her hair is tied back. Athena strides between two columns on one side, while the event for which the prize was given—here, a four-horse chariot . (63.5 cm) Classification: Vases Credit Line: Rogers Fund, 1916 Accession Number: 16.71 References Richter, Gisela M. A. The artwork is currently found in city of Athens which located in Greece. (61.8 cm) diameter 2 9/16 in. Amphoras were sometimes used as grave markers or as containers for funeral offerings or human remains. Language and societal norms shift, and we seek to reflect such changes as we update information made available online. 95, 5, Berkeley: . It was painted by the Euphiletos Painter as a victory prize for the Panathenaic Games in Athens in 530 BC.. Attic Panathenaic Amphora with Lid Depicts same location. The J. Paul Getty Museum Los Angeles, United States. ); 75.AE.73 Attic Black-Figure Panathenaic Amphora Fragment (The J. Paul Getty Museum Collection) Attic Panathenaic Amphora Fragment Euphiletos Painter 530-510 B.C. The most important festival celebrated in ancient Athens was the Panathenaia, which honored the city's patron deity, Athena Polias.
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